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“When painting trees,” contemplates Terry Gardner, “I often think of the words from Lao Tzu regarding nature, ‘They fulfill their functions and make no claims.’ Out of respect I paint trees, hoping to do them justice, but knowing they are always happy with my efforts.”
“Dubbed the ‘Tree of Life’ by websites and social-media users who flock to the ancient Sitka spruce on Kalaloch Beach, Olympic National Park, it’s become a must-see for visitors to the area who find the tree’s tenacious survival a metaphor for their own lives. I first saw this tree years ago and always wanted to give it a go. I’m intrigued by trees that become celebrities, famous, destinations of pursuit, and thus the power of a single tree.”
“These trees grow at altitudes most people never witness. They grow slowly, rings so tight pathogens and insects fail to penetrate. They store water in their needles, relentlessly reaching for light, bending in beloved shapes by the demands of their particular lives. They embody patience and humility, sharing a goal to reach high by branching out.“
“Pine trees are a symbol of longevity, they represent noble endurance in the face of humility. Painting trees gives me peace. When we make things we love our mission is accomplished.
Weston Pass (above) and The Brassy Pine (below) are both subjects along Weston Pass, just east of Leadville, CO.”
Terry Gardner was born and raised in Missouri where he received his Bachelor of Arts from Maryville University. He moved west to paint the outdoors and develop an intimate relationship with the land and life of the west. Shortly after moving to Colorado he studied with Mark Daily and Quang Ho at the Art Students League of Denver. Gardner’s compositions are born from his surroundings but evolve in his studio to a place that is darker and deeper, a place where mystery and contemplation are nurtured. With each of his pieces he aims to open a dialogue for viewers while making a subtle statement about urgent issues facing the West.
